Mid-Century Brutalist Patchwork Mirror by Paul Evans
Mid-Century Brutalist Patchwork Mirror by Paul Evans
This striking and rare Mid-Century Brutalist Patchwork Mirror was made by Paul Evans and originates from the United States Circa 1970. Featuring a bold and beautifully crafted square frame in the Patchwork technique Evans has explored through his work, a variation of metals and finishes joined together and unifed with expressive and gestural marks, the experience and quality are on full display. Well scaled and sure to style well in a wide array of interiors and settings, from Mid-Century to Contemporary and Minimal spaces. In Excellent Vintage Condition.
American, circa 1970
Dimensions:
Height: 30 in (76.2 cm) x Width: 30 in (76.2 cm) x Depth: 3.25 in (8.26 cm)
Creator: Paul Evans (Maker)
Design: Patchwork Mirror, Patchwork Series
Style: Mid-Century Modern (Of the Period)
Materials and Techniques: Metal, Mirror
Place of Origin: United States
Period: 1970-1979
Date of Manufacture: circa 1970
Condition: Excellent, Wear consistent with age and use.
Reference Number: LU793436715222
PAUL EVANS
Paul Evans (1931-1987) was an influential American furniture designer, sculptor, and artist, recognized for his unique contributions to the American Craft Movement of the 1970s and his association with the renowned manufacturer Directional Furniture. His Brutalist-inspired, sculpted metal furnishings set him apart in the world of design.
Lenny Kravitz, a collector of Evans' pieces, praised his work as "stunningly beautiful, stunningly ugly, stunningly tacky, [and] stunningly sophisticated."
Paul R. Evans II was born on May 20, 1931, in Newtown, Bucks County, Pennsylvania. He pursued his education at several institutions, including the Philadelphia Textile Institute (1950), Rochester Institute of Technology's School for American Craftsmen in Rochester, New York (1950), and Cranbrook Academy of Art in Bloomfield Hills, Michigan (1952).
After settling in New Hope, Pennsylvania, Evans collaborated with woodworker Phillip Lloyd Powell. Despite financial constraints, they sourced wood from the reject pile of their neighbor, George Nakashima, a renowned woodworker and furniture designer.
In the 1950s, Evans began creating copper chests, later transitioning to sculpted steel-front cabinets. His significant breakthrough came in 1961 with a two-man show at America House, an exhibition at the Museum of Contemporary Crafts in New York, now the Museum of Arts & Design. In 1964, Evans became a featured designer for Directional Furniture, introducing several innovative furniture lines, such as the Argente series, Sculpted Bronze series, Sculptured and Painted Steel, Patchwork Copper, Pewter and Brass, and the popular Cityscape series. The New York Times noted that Evans "understood fashion, embraced youth culture, and built custom pieces for celebrities like ventriloquist Shari Lewis and singer Roy Orbison."
Evans' pieces were often signed and dated, reflecting his commitment to craftsmanship and technology. His relationship with Directional Furniture established a unique standard for creative manufacturing, ensuring every piece was handmade, finished by hand, and supervised by Evans himself at each production step.
On March 6, 1987, Evans closed his business and drove to his vacation home on Nantucket. He passed away the next morning from a heart attack at the age of 55.
In the 21st century, Evans' work gained significant acclaim, becoming highly collectible. Celebrities like Gwen Stefani, Lenny Kravitz, and Tommy Hilfiger are among avid collectors of his pieces. Evans' cabinets and credenzas have fetched over $250,000 at auctions, and in 2017, an Evans cabinet sold for $382,000. The James A. Michener Art Museum in Doylestown, Pennsylvania, hosted a retrospective of Evans' work in 2014, further solidifying his legacy in the design world.
Evans' combination of handcrafted artistry and innovative design techniques continues to influence modern furniture design, making his work a celebrated part of American art history.
