Mid-Century Modernist Swallow Tail Form Centerpiece in Clear Crystal signed Daum
Mid-Century Modernist Swallow Tail Form Centerpiece in Clear Crystal signed Daum
This stunning Mid Century Modern translucent crystal centerpiece bowl was realized by the storied maker Daum in France circa 1950. It offers a stylized amorphic form with three pointed arms extending in opposite directions. One of the arms point forward, while the other two arms point backwards in a forked pattern suggesting a stylized and whimsical interpretation of a swallow's tail. This piece- executed in superlative clear crystal- is full of subtle dynamism and verve, and suggests a "splash" of water. Daum throughout history demonstrated the ability to capture crystal- a solid medium- in a way that suggested utter fluidity, a truly impressive feat. This piece is a great testament to their masterful abilities and perennially appealing aesthetic. While this piece is a perfectly functional centerbowl- ideal for presenting votives or flower petals- it is also an objet d'art in its own right, that promises to beautify any surface that it graces. It is signed Daum and is in excellent vintage condition.
France, circa 1950
Dimensions:
Height: 6 in (15.24 cm) x Width: 4 in (10.16 cm) x Depth: 21.5 in (54.61 cm)
Creator: Daum (Maker)
Style: Mid-Century Modern (Of the Period)
Materials and Techniques: Crystal
Place of Origin: France
Period: 1950-1959
Date of Manufacture: circa 1950
Condition: Excellent
Reference Number: LU793433488482
DAUM
Founded in 1878 by industrialist Jean Daum, the Daum crystal studio has grown from a modest glassworks in Nancy, France, to an internationally acclaimed house of luxury crystal art. Jean's sons, Auguste and Antonin, took over the family business and significantly propelled it into the Art Nouveau movement's limelight, particularly during the Universal Exhibition of 1900 where Daum received the prestigious Grand Prix medal.
Under their leadership, Daum crystal became renowned for its intricate designs combining acid etching, carving, and enameling. The studio's signature involved integrating applied glass elements that mirrored natural forms, which became a hallmark of Daum's pieces. The brothers were instrumental in reinvigorating the ancient technique of pâte de verre, a method where glass paste is molded and then kiln-fired, a process dating back to ancient Egypt.
The onset of World War I temporarily halted production, but by 1917, the factory resumed operations under a new name, "Societe Anonyme des Verreries Schneider," continuing to favor Art Nouveau styles while starting to introduce Art Deco elements. Post-World War I, Paul Daum, the next generation, began steering designs towards the Art Deco aesthetic, emphasizing linear and geometric shapes which marked a significant shift from the naturalistic forms of earlier periods.
In the years following, Daum collaborated with numerous artists, enhancing its offerings with innovative designs and techniques. Despite the economic challenges posed by the 1929 Wall Street crash, Daum managed to sustain production by adapting designs to simpler forms and fewer colors, catering to a changing market. The interwar and post-WWII periods saw a continued evolution in style, with the company increasingly focusing on the clarity and form of glass, aligning with contemporary trends.
By the late 20th century, Daum had cemented its reputation in the luxury goods market, known for both traditional craftsmanship and avant-garde artistry. It continued to produce high-end crystal sculptures and functional items using both time-honored and modern glass-making techniques. Today, Daum pieces, whether from the early 20th century or contemporary lines, remain coveted by collectors and art enthusiasts worldwide, celebrated for their quality and artistic integrity.
