Pair of Art Deco Totem Form Vases in Acid Etched Smoked Geometric Glass by Daum
Pair of Art Deco Totem Form Vases in Acid Etched Smoked Geometric Glass by Daum
This very rare pair of Art Deco Cubist style Acid Etched Vases originate from the esteemed Art Glass Company Daum in Nancy, France, Circa 1930. Unbelievable in scale, profile, unmatched technical execution, and rarity. Executed in acid etched smoked glass, they feature a motif of rectangular totem form patterning in the acid etched texture resembling the texture of a rock face or glacial shard. The edges are pristine and sharp, drawing the eye an beautifully overlapping within and through the translucently of the smoked glass. A masterpiece of Art deco Glass art, these vases will add brilliant sophistication and gravity to a wide array of interiors, a powerful addition to any refined collection. Signed Daum, Nancy near the base on each vase. In Excellent Vintage Condition.
France, circa 1930
Dimensions:
Height: 20.5 in (52.07 cm) x Diameter: 8.5 in (21.59 cm)
Creator: Daum (Maker)
Sold As: Set of 2
Style: Art Deco (Of the Period)
Materials and Techniques: Glass
Place of Origin: France
Period: 1930-1939
Date of Manufacture: circa 1930
Condition: Excellent
Reference Number: LU793435723292
DAUM
Founded in 1878 by industrialist Jean Daum, the Daum crystal studio has grown from a modest glassworks in Nancy, France, to an internationally acclaimed house of luxury crystal art. Jean's sons, Auguste and Antonin, took over the family business and significantly propelled it into the Art Nouveau movement's limelight, particularly during the Universal Exhibition of 1900 where Daum received the prestigious Grand Prix medal.
Under their leadership, Daum crystal became renowned for its intricate designs combining acid etching, carving, and enameling. The studio's signature involved integrating applied glass elements that mirrored natural forms, which became a hallmark of Daum's pieces. The brothers were instrumental in reinvigorating the ancient technique of pâte de verre, a method where glass paste is molded and then kiln-fired, a process dating back to ancient Egypt.
The onset of World War I temporarily halted production, but by 1917, the factory resumed operations under a new name, "Societe Anonyme des Verreries Schneider," continuing to favor Art Nouveau styles while starting to introduce Art Deco elements. Post-World War I, Paul Daum, the next generation, began steering designs towards the Art Deco aesthetic, emphasizing linear and geometric shapes which marked a significant shift from the naturalistic forms of earlier periods.
In the years following, Daum collaborated with numerous artists, enhancing its offerings with innovative designs and techniques. Despite the economic challenges posed by the 1929 Wall Street crash, Daum managed to sustain production by adapting designs to simpler forms and fewer colors, catering to a changing market. The interwar and post-WWII periods saw a continued evolution in style, with the company increasingly focusing on the clarity and form of glass, aligning with contemporary trends.
By the late 20th century, Daum had cemented its reputation in the luxury goods market, known for both traditional craftsmanship and avant-garde artistry. It continued to produce high-end crystal sculptures and functional items using both time-honored and modern glass-making techniques. Today, Daum pieces, whether from the early 20th century or contemporary lines, remain coveted by collectors and art enthusiasts worldwide, celebrated for their quality and artistic integrity.
