Tony Rosenthal Untitled 1965
Tony Rosenthal Untitled 1965
This stunning Mid Century Modern welded bronze sculpture was realized by the esteemed 20th Century artist Tony Rosenthal circa 1965. Signed and dated by the artist (and with an included certificate of authenticity) this graphic and sophisticated sculpture offers a collection of organic rectilinear forms fused together to create a silhouette full of verve and dynamism. Created entirely in meticulously hand welded bronze, the work stands on a circular base with a volumetric rectangular stem that attaches to a rectangular neck of the same form but lesser diameter. A grouping of block- like objects from the rectilinear stem creating a form that appears bounding in mid air. With its energetic, abstract form and beautiful craftsmanship, this piece is sure to delight discerning collectors of modern art, as well as those with a penchant for exquisite objects. This piece represents an especially compelling example of Rosenthal's practice, showcasing his gift for idiosyncratic form and movement that make him such a celebrated 20th century artist. The piece is signed "Rosenthal 65".
Tony Rosenthal received his first public art commission for the Elgin Watch Company building at the 1939 World's Fair. His public art works include five in Manhattan, and numerous others in Los Angeles, Philadelphia, Florida, Michigan and Connecticut. Rosenthal was perhaps best known for his monumental outdoor abstract sculptures including "Alamo" the famous cube sculpture at Astor Place in New York City (1967), as well as one at the Parker Center, Los Angeles, 1955.
Rosenthal's works are owned by museums around the world, including: Chrysler Museum: "Big Six", 1977; Connecticut College: "Memorial Cube", 1972; Israel Museum: "Oracle", 1960; Long House Reserve: "Mandala", 1994-95, "Rites of Spring", 1997; Los Angeles County Museum of Art: "Things Invisible to See", 1960, "Harp Player", 1950; Milwaukee Art Museum: "Big Six", 1977, "Maquette for Hammarskjold", 1977; and the National Gallery of Art: "Magpole", 1965.
American, 1965
Dimensions:
Height: 79.5 in. (201.93 cm) x Diameter: 19 in. (48.26 cm)
Creator: Tony Rosenthal (1914 - 2009, American)
Creation Year: 1965
Medium: Bronze
Movement & Style: Abstract Expressionist
Period: 1960-1969
Condition: Excellent
Reference Number: LU71139025862
TONY ROSENTHAL
Tony Rosenthal, an acclaimed American sculptor born on August 9, 1914, in Highland Park, Illinois, was celebrated for his monumental public sculptures that grace cities globally. His prolific career spanned over seven decades, showcasing a versatile range of styles and materials, including wood, steel, bronze, brass, cement, and aluminum.
Rosenthal's artistic journey began at a young age, influenced by his mother, an opera singer who enrolled him in children's classes at the Art Institute of Chicago. Here, he honed his skills in sculpture, carving figures from soap. He pursued formal education in art at the University of Michigan, earning a B.F.A. in 1936. During his studies, Rosenthal had the opportunity to work under Alexander Archipenko, casting bronzes and gaining invaluable insights into modern sculpture.
His professional career kicked off with a notable commission for the 1939 New York World’s Fair, where he created "The Nubian Slave," a striking concrete and plaster sculpture. This project marked the beginning of Rosenthal's long and fruitful career in public art. Throughout the 1930s and 1940s, his work evolved from Art Deco-inspired pieces to more figurative sculptures in the 1950s, and finally to abstract minimalism, which would dominate his later works.
One of Rosenthal’s most famous works is the “Alamo” sculpture, also known as the Astor Place Cube, located in New York City. Installed in 1967 as part of Doris C. Freedman's Sculpture in Environment installation, this iconic 15-foot Cor-Ten steel cube quickly became a beloved landmark. The interactive sculpture is designed to rotate on its axis, inviting engagement and interaction from passersby, embodying Rosenthal's belief that art should be accessible and participatory.
Rosenthal's sculptures are not just art pieces but landmarks, especially in New York City, where his works have become integral parts of the urban landscape, admired and enjoyed by millions daily. His iconic works include large-scale public sculptures that are both engaging and accessible, reflecting his philosophy that art should be part of everyday life.
In addition to his sculpture, Rosenthal was a dedicated educator and writer, sharing his expertise and views on modern design through teaching and publications. His influence extended beyond the art world, impacting design and architecture. Rosenthal continued to create and innovate in the field of sculpture until his passing at age 94 on July 28, 2009.
Throughout his life, Rosenthal was recognized for his contributions to the field with numerous awards and accolades, including a prestigious recognition from the University of Michigan and a grant from the Ford Foundation. His works continue to be studied and revered, securing his place as a pivotal figure in the development of American modern sculpture.